tales from the perilous realm

tales from the perilous realm

Tales From The Perilous Realm

This is the definitive collection of Tolkien's five acclaimed modern classic 'fairie' tales in the vein of The Hobbit, fully corrected and reset for this edition and all beautifully illustrated in pencil by the award-winning artist, Alan Lee.

The five tales are written with the same skill, quality and charm that made The Hobbit a classic. Largely overlooked because of their short lengths, they are finally together in a volume which reaffirms Tolkien's place as a master storyteller for readers young and old.

Roverandom is a toy dog who, enchanted by a sand sorcerer, gets to explore the world and encounter strange and fabulous creatures.

Farmer Giles of Ham is fat and unheroic, but - having unwittingly managed to scare off a short-sighted giant - is called upon to do battle when a dragon comes to town;

The Adventures of Tom Bombadil tells in verse of Tom's many adventures with hobbits, princesses, dwarves and trolls;

Leaf by Niggle recounts the strange adventures of the painter Niggle who sets out to paint the perfect tree;

Smith of Wootton Major journeys to the Land of Faery thanks to the magical ingredients of the Great Cake of the Feast of Good Children.

This new collection is fully illustrated throughout by Oscar-winning artist, Alan Lee, who provides a wealth of pencil drawings to bring the stories to life as he did so memorably for The Hobbit and The Children of Hurin. Alan also provides an Afterword, in which he opens the door into illustrating Tolkien's world.

Taken together, this rich collection of tales from the author of The Children of Hurin will provide the reader with a fascinating journey into lands as wild and strange as Middle-earth.

the cult of we : wework and the great start-up delusion

the cult of we : wework and the great start-up delusion

The Cult Of We : Wework And The Great Start-up Delusion

'An amazing portrait of how grifters came to be called visionaries and high finance lost its mind.' Charles Duhigg, bestselling author of The Power of Habit

The definitive inside story of WeWork, its audacious founder, and the company's epic unravelling from the journalists who first broke the story wide open.

In 2001, Adam Neumann arrived in New York after five years as a conscript in the Israeli navy. Just over fifteen years later, he had transformed himself into the charismatic CEO of a company worth $47 billion. With his long hair and feel-good mantras, the six-foot-five Neumann looked the part of a messianic Silicon Valley entrepreneur. The vision he offered was mesmerizing: a radical reimagining of work space for a new generation. He called it WeWork.

As billions of funding dollars poured in, Neumann's ambitions grew limitless. WeWork wasn't just an office space provider; it would build schools, create cities, even colonize Mars. In pursuit of its founder's vision, the company spent money faster than it could bring it in. From his private jet, sometimes clouded with marijuana smoke, the CEO scoured the globe for more capital but in late 2019, just weeks before WeWork's highly publicized IPO, everything fell apart. Neumann was ousted from his company, but still was poised to walk away a billionaire.

Calling to mind the recent demise of Theranos and the hubris of the dotcom era bust, WeWork's extraordinary rise and staggering implosion were fueled by disparate characters in a financial system blind to its risks. Why did some of the biggest names in banking and venture capital buy the hype? And what does the future hold for Silicon Valley 'unicorns'? Wall Street Journal reporters Eliot Brown and Maureen Farrell explore these questions in this definitive, rollicking account of WeWork's boom and bust.

the road to middle-earth: how j. r. r. tolkien created a new mythology

the road to middle-earth: how j. r. r. tolkien created a new mythology

The Road To Middle-earth: How J. R. R. Tolkien Created A New Mythology

The definitive guide to the origin of J.R.R. Tolkien's books, from The Hobbit to The History of Middle-earth series - includes unpublished Tolkien extracts and poetry.

The Road to Middle-Earth is a fascinating and accessible exploration of J.R.R.Tolkien's creativity and the sources of his inspiration. Tom Shippey shows in detail how Tolkien's professional background led him to write The Hobbit and how he created a work of timeless charm for millions of readers. He discusses the contribution of The Silmarillion and Unfinished Tales to Tolkien's great myth-cycle, showing how Tolkien's more 'complex' works can be read enjoyably and seriously by readers of his earlier books, and goes on to examine the remarkable 12-volume History of Middle-earth by Tolkien's son and literary heir Christopher Tolkien, which traces the creative and technical processes through which Middle-earth evolved. The core of the book, however, concentrates on The Lord of the Rings as a linguistic and cultural map, as a twisted web of a story, and as a response to the inner meaning of myth and poetry.

By following the routes of Tolkien's own obsessions - the poetry of languages and myth - The Road to Middle-earth shows how Beowulf, The Lord of the Rings, Grimm's Fairy Tales, the Elder Edda and many other works form part of a live and continuing tradition of literature. It takes issue with many basic premises of orthodox criticism and offers a new approach to Tolkien, to fantasy, and to the importance of language in literature.

This new edition is revised and expanded, and includes a previously unpublished lengthy analysis of Peter Jackson's film adaptations and their effect on Tolkien's work.

the fall of arthur

the fall of arthur

The Fall Of Arthur

The world first publication of a previously unknown work by J.R.R. Tolkien, which tells the extraordinary story of the final days of England's legendary hero, King Arthur.

The Fall of Arthur, the only venture by J.R.R. Tolkien into the legends of Arthur King of Britain, may well be regarded as his finest and most skilful achievement in the use of the Old English alliterative metre, in which he brought to his transforming perceptions of the old narratives a pervasive sense of the grave and fateful nature of all that is told: of Arthur's expedition overseas into distant heathen lands, of Guinevere's flight from Camelot, of the great sea-battle on Arthur's return to Britain, in the portrait of the traitor Mordred, in the tormented doubts of Lancelot in his French castle.

Unhappily, The Fall of Arthur was one of several long narrative poems that he abandoned in that period. In this case he evidently began it in the earlier nineteen-thirties, and it was sufficiently advanced for him to send it to a very perceptive friend who read it with great enthusiasm at the end of 1934 and urgently pressed him 'You simply must finish it!' But in vain: he abandoned it, at some date unknown, though there is some evidence that it may have been in 1937, the year of the publication of The Hobbit and the first stirrings of The Lord of the Rings. Years later, in a letter of 1955, he said that 'he hoped to finish a long poem on The Fall of Arthur'; but that day never came.

Associated with the text of the poem, however, are many manuscript pages: a great quantity of drafting and experimentation in verse, in which the strange evolution of the poem's structure is revealed, together with narrative synopses and very significant if tantalising notes. In these latter can be discerned clear if mysterious associations of the Arthurian conclusion with The Silmarillion, and the bitter ending of the love of Lancelot and Guinevere, which was never written.

a secret vice: tolkien on invented languages

a secret vice: tolkien on invented languages

A Secret Vice: Tolkien On Invented Languages

First ever critical study of Tolkien's little-known essay, which reveals how language invention shaped the creation of Middle-earth and beyond, to George R R Martin's Game of Thrones.

J.R.R. Tolkien's linguistic invention was a fundamental part of his artistic output, to the extent that later on in life he attributed the existence of his mythology to the desire to give his languages a home and peoples to speak them. As Tolkien puts it in 'A Secret Vice', 'the making of language and mythology are related functions''.

In the 1930s, Tolkien composed and delivered two lectures, in which he explored these two key elements of his sub-creative methodology. The second of these, the seminal Andrew Lang Lecture for 1938-9, 'On Fairy-Stories', which he delivered at the University of St Andrews in Scotland, is well known. But many years before, in 1931, Tolkien gave a talk to a literary society entitled 'A Hobby for the Home', where he unveiled for the first time to a listening public the art that he had both himself encountered and been involved with since his earliest childhood: 'the construction of imaginary languages in full or outline for amusement'.

This talk would be edited by Christopher Tolkien for inclusion as 'A Secret Vice' in The Monsters and the Critics and Other Essays and serves as the principal exposition of Tolkien's art of inventing languages. This new critical edition, which includes previously unpublished notes and drafts by Tolkien connected with the essay, including his 'Essay on Phonetic Symbolism', goes some way towards re-opening the debate on the importance of linguistic invention in Tolkien's mythology and the role of imaginary languages in fantasy literature.

tolkien and the great war: the threshold of middle-earth

tolkien and the great war: the threshold of middle-earth

Tolkien And The Great War: The Threshold Of Middle-earth

* TOLKIEN * Now a major motion picture

Acclaimed as 'the best book about Tolkien', this award-winning biography explores J.R.R. Tolkien's wartime experiences and their impact on his life and his writing of The Hobbit and The Lord of The Rings.

"To be caught in youth by 1914 was no less hideous an experience than in 1939 ... by 1918 all but one of my close friends were dead."

So J.R.R. Tolkien responded to critics who saw The Lord of the Rings as a reaction to the Second World War. Tolkien and the Great War tells for the first time the full story of how he embarked on the creation of Middle-earth in his youth as the world around him was plunged into catastrophe. This biography reveals the horror and heroism that he experienced as a signals officer in the Battle of the Somme and introduces the circle of friends who spurred his mythology to life. It shows how, after two of these brilliant young men were killed, Tolkien pursued the dream they had all shared by launching his epic of good and evil.

John Garth argues that the foundation of tragic experience in the First World War is the key to Middle-earth's enduring power. Tolkien used his mythic imagination not to escape from reality but to reflect and transform the cataclysm of his generation. While his contemporaries surrendered to disillusionment, he kept enchantment alive, reshaping an entire literary tradition into a form that resonates to this day.

This is the first substantially new biography of Tolkien since 1977, meticulously researched and distilled from his personal wartime papers and a multitude of other sources.

bộ the lord of the rings 3: the return of the king

bộ the lord of the rings 3: the return of the king

The Lord Of The Rings 3: The Return Of The King

Classic hardback edition of the third volume of The Lord of the Rings, now featuring Tolkien's original unused dust-jacket design. Includes special packaging and the definitive edition of the text, with fold-out maps.

The Companions of the Ring have become involved in separate adventures as the quest continues. Aragorn, revealed as the hidden heir of the ancient Kings of the West, joined with the Riders of Rohan against the forces of Isengard, and took part in the desperate victory of the Hornburg. Merry and Pippin, captured by orcs, escaped into Fangorn Forest and there encountered the Ents.

Gandalf returned, miraculously, and defeated the evil wizard, Saruman. Meanwhile, Sam and Frodo progressed towards Mordor to destroy the Ring, accompanied by Smeagol - Gollum, still obsessed by his 'preciouss'. After a battle with the giant spider, Shelob, Sam left his master for dead; but Frodo is still alive - in the hands of the orcs. And all the time the armies of the Dark Lord are massing.

This classic hardback features Tolkien's original unused dust-jacket design, and its text has been fully restored with almost 400 corrections - with the full co-operation of Christopher Tolkien - making it the definitive version, and as close as possible to the version that J.R.R. Tolkien intended. Also included are the original red and black maps as fold-out sheets, and - for the first time - a fully revised and enlarged index.

the fall of gondolin

the fall of gondolin

The Fall Of Gondolin

Painstakingly restored from Tolkien's manuscripts and presented for the first time as a standalone work, the epic tale of The Fall of Gondolin will reunite fans of The Hobbit and The Lord of the Rings with Elves and Men, Balrogs, Dragons and Orcs and the rich landscape and creatures unique to Tolkien's Middle-earth.

In the Tale of The Fall of Gondolin are two of the greatest powers in the world. There is Morgoth of the uttermost evil, unseen in this story but ruling over a vast military power from his fortress of Angband. Deeply opposed to Morgoth is Ulmo, second in might only to Manwe, chief of the Valar.

Central to this enmity of the gods is the city of Gondolin, beautiful but undiscoverable. It was built and peopled by Noldorin Elves who, when they dwelt in Valinor, the land of the gods, rebelled against their rule and fled to Middle-earth. Turgon King of Gondolin is hated and feared above all his enemies by Morgoth, who seeks in vain to discover the marvellously hidden city, while the gods in Valinor in heated debate largely refuse to intervene in support of Ulmo's desires and designs.

Into this world comes Tuor, cousin of Turin, the instrument of Ulmo's designs. Guided unseen by him Tuor sets out from the land of his birth on the fearful journey to Gondolin, and in one of the most arresting moments in the history of Middle-earth the sea-god himself appears to him, rising out of the ocean in the midst of a storm. In Gondolin he becomes great; he is wedded to Idril, Turgon's daughter, and their son is Earendel, whose birth and profound importance in days to come is foreseen by Ulmo.

At last comes the terrible ending. Morgoth learns through an act of supreme treachery all that he needs to mount a devastating attack on the city, with Balrogs and dragons and numberless Orcs. After a minutely observed account of the fall of Gondolin, the tale ends with the escape of Tuor and Idril, with the child Earendel, looking back from a cleft in the mountains as they flee southward, at the blazing wreckage of their city. They were journeying into a new story, the Tale of Earendel, which Tolkien never wrote, but which is sketched out in this book from other sources.

Following his presentation of Beren and Luthien Christopher Tolkien has used the same 'history in sequence' mode in the writing of this edition of The Fall of Gondolin. In the words of J.R.R. Tolkien, it was 'the first real story of this imaginary world' and, together with Beren and Luthien and The Children of Hurin, he regarded it as one of the three 'Great Tales' of the Elder Days.

on a night like this

on a night like this

On A Night Like This

It only takes one night to fall in love...

Pre-order the most romantic book of 2021 now!

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'Sparkles on the page like champagne in the glass' MILLY JOHNSON

'The literary equivalent of opening a glass of wine with your best friend' MHAIRI MCFARLANE

'The kind of book you can't put down, but also want to last forever' EMILY HENRY

____________________

Get ready for a night like no other . . .

Within days of wishing she could change her life, Fran Cooper is working for a celebrity, on a yacht, and en route to a tiny Italian island and the glittering Crystal Ball.

When she - quite literally - bumps into a handsome American called Evan the magic really begins. He makes her a promise: no last names, no life stories, just one unforgettable night.

But Evan belongs at the ball and Fran is a gatecrasher. Their lives are a world apart - unless, on a night like this, everything can change forever...

____________________

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